Discussion and Audio Examples of Singer’s Formant Oriented Middle Voice

So, here is a discussion on the Singer’s Formant oriented middle voice along with some audio examples.

Notice in the first audio example, Bjoerling sings from Che Gelida “e come vivo? Vivo!!”  Notice how the chords don’t open when he goes from  VI  to VO.  This modifies the nature of the vowel.  The singer’s formant is dominant in that middle voice note.  Also notice that the voice is still carrying cavita’, you just don’t hear as much of it.

Caruso then sings from “Ah Si Ben Mio” and you hear how his middle is VERY balanced. There is no excessive exaggeration of the lower harmonics.  The voice remains youthful and vibrant.

Then I chose to post a fantastic up close clip of Salvatore Fisichella in concert singing “Bianca al Par di Neve Alpina”.  Throughout this clip you hear how the EE function in the chords never stops.  All the vowels in the middle are influenced by this closed position, which is never sacrificed.

Singer’s Formant Middle Voice – Closed Chord Singing

Advertisements

One response to “Discussion and Audio Examples of Singer’s Formant Oriented Middle Voice

  1. Until I read this post more carefully, I thought the “Bianca al Par” was you, Jack. Listened to it a couple of times and thought: “Wow. Ballsy of him to keep the super long applause at the end of his own performance recording. Now THAT is being a tenor!” Then, I read more carefully and saw it was Fisichella.

    Yes, I have reading comprehension problems. :-b

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s